Reliable comms for loud retail shoots

What’s your current go-to for crew + client comms when we’re shooting a 30s CPG spot in a live store with music blasting? I’ve been mixing Unity on phones for agency with Clear-Com wired for AD/DP and Comteks for talent, but last week in a Vegas grocery at 5 a.m. the chatter got muddy and battery swaps slowed us down — any smarter combo or headset model that’s working for you on a 20-person crew and two cams?

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I stopped the mud by taking Unity off cell/store Wi‑Fi and running it on a dedicated 5 GHz DFS access point (UniFi 6 Lite on a V‑mount via PoE); in a ‘5 a.m. in a Vegas grocery’ it stays clean and the agency hears notes. Are you bringing your own router or leaning on house Wi‑Fi?

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And i’ve had better luck pulling agency off Unity and onto Motorola DLRs (900 MHz) with “PTT only for clients”; batteries run all day and the PTT kills the crosstalk. For crew, Clear-Com with high‑isolation headsets like Sennheiser HMD 300 PRO or a David Clark keeps the store music out and the AD sane. If you must keep Unity, force PTT and issue wired boom headsets via a tiny USB interface (RØDE AI‑Micro) to tame the mud — would you try that next run?

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I’ve been moving crew to Clear‑Com FreeSpeak II (1.9 GHz) with DT 297 dual‑ear headsets and parking agency on DLR PTT; in loud groceries the DECT isolation and 12–18 hr packs ended the mud and battery chaos. @kevin1569 your DFS AP tip is clutch if Unity sticks around — have you tried Bolero/FreeSpeak in RF‑heavy stores? https://www.riedel.net/products-solutions/intercom/bolero/.

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